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Trance Review: Armin van Buuren & Sam Gray - Dream A Little Dream out on Armada Music
Armin van Buuren Finally Unveils ‘Dream A Little Dream’
For over two years, fans of Armin van Buuren have been dreaming of one thing: the official release of his long-teased anthem, ‘Dream A Little Dream’ with multi-platinum singer-songwriter and producer Sam Gray. First unveiled at Ultra Music Festival 2023, the track quickly took on a life of its own, becoming one of Armin’s most requested IDs and igniting a wave of anticipation that only grew stronger with every set, teaser and cryptic hint of a potential release.
The long-awaited moment has arrived. Today, ‘Dream A Little Dream’ sees the light of day, turning thousands of fan wishes into reality. The euphoric, melody-driven masterpiece blends Armin’s signature sound with Sam Gray’s irresistible vocals, creating a track that perfectly balances festival energy with emotional depth.
“For the past years, I’ve received an overwhelming number of messages, comments and even personal requests asking me to release this track,” says Armin van Buuren. “Seeing how much ‘Dream A Little Dream’ means to my fans makes this release even more special to me. It’s been incredible to watch the excitement grow, and I’m so happy to finally give you all what you’ve been asking for. This one’s for you.”
Fans have made their voices heard loud and clear. From countless social media comments begging for the release to massive engagement around every teaser, the hype surrounding ‘Dream A Little Dream’ has been undeniable. The fan excitement proved that this song wasn’t just another ID, but a certified favourite and relentless crowd pleaser.
The wait is over, and the hope is now a reality. ‘Dream A Little Dream’ is officially out on all streaming platforms, ready to take over festival speakers and personal playlists alike.
Stream/Download HERELyricsWe were born in a different timeNo clouds in the sky we were young and freeSkipping stones on the summer nightNo cares in the world it was so easyStood barefoot in the sand ohDon't always know the plan noWe are all just trying to make it throughLet go of yesterdayCause time just flies awayOn you, on you, on youWhen the stars don't showDon't go off the edgeWhen your heart feels brokeForgive and forgetWhen thе year comes round ohGod knows wherе we'll beHold on just breatheAnd dream a little dream with meAnd dream a little dream with meWhen thе year comes round ohGod knows wherе we'll beHold on just breatheAnd dream a little dream with meWe were made for the here and nowTo learn how our love makes the world go roundWe hear the loudest and the sirensPromise I'II still be here when the world slows downStood barefoot in the sand ohDon't let go i'll be handledWe are all just trying to make it throughBetter than yesterday ohYou changed and now I changeWith you, with you, with youWhen the stars don't showDon't go off the edgeWhen your heart feels brokeForgive and forgetWhen the year comes round ohGod knows where we'll beHold on just breatheAnd dream a little dream with meWhen the year comes round ohGod knows where we'll beHold on just breatheAnd dream a little dream with meWhen the year comes round ohGod knows where we'll beHold on just breatheAnd dream a little dream with meDimitris Kechagias Review:
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[item value="10"]Armin van Buuren & Sam Gray - Dream A Little Dream [/item][content title="Summary" label="Overall Score"]Armin van Buuren & Sam Gray's "Dream A Little Dream" stands as a testament to innovative production techniques and meticulous sound design, seamlessly blending the realms of trance and progressive house. Clocking in at 128 BPM, this mainstage anthem is crafted to energize massive crowds and captivate listeners with its dynamic structure and detailed sonic landscape. The track opens with an assertive foundation built on big, pulsating basslines that provide both depth and drive. The basslines are engineered with precision, likely utilizing sidechain compression to create that signature 'pumping' effect, a hallmark in trance and progressive genres. This is complemented by thumping kicks—crafted with layered samples and EQ adjustments to ensure both punchiness and clarity in the mix. As the track progresses, the percussion elements evolve, featuring big, resonant drums that add a tribal, anthemic quality. The breakdown is particularly noteworthy; here, the tempo subtly breathes to allow for an emotional build-up. It showcases a rich tapestry of melodic instruments—harps delivering delicate plucks, lush piano chords providing harmonic warmth, intricate guitar riffs adding organic texture, and playful xylophones infusing a whimsical, airy quality. These elements are meticulously arranged, with reverb and delay effects enhancing their spatial presence. The euphoric synths are the centerpiece, engineered with layered oscillators and dynamic filter modulations to create a soaring, expansive soundscape. These synths serve as the perfect bed for Sam Gray’s compelling vocals, which shine through thanks to careful EQ carving and dynamic processing that ensure clarity amidst the dense instrumentation. The production employs advanced techniques such as automation for smooth transitions, strategic use of white noise risers for tension, and stereo imaging to create a wide, immersive auditory experience. The mastering process brings it all together, with loudness optimization for festival stages and streaming platforms like Spotify and radio. "Dream A Little Dream" is not just a crossover anthem; it’s a masterclass in blending old-school trance vibes with modern production prowess, ensuring it resonates with both long-time fans and new listeners alike. #PureGold Love IT [/content][item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]About Armin van BuurenArmin van Buuren has long been a global ambassador for electronic music. He currently has nine full-length artist albums to his name — ‘Breathe In’ included — and continues to cultivate a massive worldwide following through his weekly A State of Trance radio show, event series and album series, reaching 44 million listeners from more than 80 different countries on a weekly basis. Armin van Buuren headlines tens to hundreds of shows per year at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival (Miami), Lollapalooza (Chicago) and Tomorrowland (Belgium) plus residencies on Ibiza and in Las Vegas. Past summer alone, he reconnected with fans through over thirty shows, including the ‘Feel Again’ shows in the Ziggo Dome, Ultra Europe, Tomorrowland, Parookaville, Creamfields, Electric Zoo and his summer residencies at Hï Ibiza and Ushuaïa.About Sam GrayYou may know Sam Gray from The Chainsmokers’ worldwide hit “Takeaway” or maybe Omi & Felix Jaehn’s “Masterpiece” or his hit records in Europe and with such artists as DJ Katch (“Lights Out”), Alle Farben & Sam Gray (“Never Too Late”), YouNotUs, Keanu Silva & Sam Gray “Say Hello”, The Magician & Julian Perretta (“Tied Up”) and Hardwell’s “Creatures Of The Night” or maybe his platinum records in Japan and SE Asia with Exile or W-inds? Or the US Dance Radio Top 5 single “Painkiller” by Joe Killington or Sam’s Billboard Top 40 airplay hit “Top Down” with his country duo, Brown & Gray, on one of its 1,400 spins on Sirius XM’s flagship station The Highway.You’ll certainly know him from “Unbreakable” a US Dance Airplay number one single by TELYkast & Sam Gray at the end of 2021 that was immediately followed by another number one single with “Tell It To My Heart” by Meduza & Hozier. 2022 has brought further chart success with “Human Touch” a collaboration with Armin van Buuren and “Good Feeling” by Duvall & Sam Gray. Sam closed 2022 with the international hit single “Woke Up In Love” by Kygo, Gryffin & Calum Scott — which has now passed the 70 million streams mark on Spotify alone. His first hit of 2023 is Tiësto’s “All Nighter” which he co-wrote and sings lead vocal and it is followed this week by “Rest In Pieces” — an artist collaboration between Vamero & Sam Gray.
Additional info: -
Festival News: A State of Trance Returns to London 13/7/2025 at Silverworks Island
A State of Trance London Festival 2025
Following the resounding success of its sold-out debut in 2023, A State of Trance (ASOT) is making an electrifying return to London on Sunday, 13th July 2025, for its exclusive UK event of the year. This spectacular celebration of trance music will unfold at the breathtaking Silverworks Island, a venue that perfectly complements the festival's vibrant energy.
We are thrilled to unveil the lineup for this year's A State of Trance London Festival. Prepare to be mesmerized by an extraordinary roster of world-renowned artists and rising stars who will set the stage ablaze:
Armin van Buuren – The legendary maestro and founder of ASOT, Armin promises an awe-inspiring set filled with euphoric melodies and high-octane energy.
AVALAN ROKSTON – Known for their genre-defying sounds, AVALAN ROKSTON will deliver an immersive experience blending progressive and uplifting trance.
AVIRA – Famed for hypnotic beats and atmospheric synths, AVIRA’s set will be a journey through deep, melodic soundscapes.
Ben Gold – A powerhouse in vocal and tech trance, Ben will showcase high-energy tracks that ignite the dance floor.
Ben Hemsley – Bringing a fresh twist to trance with his unique fusion of acid house and hard-hitting beats.
Ben Nicky presents Emotional Havoc – Expect nothing less than an emotional rollercoaster with intense, heart-pounding drops and captivating melodies.
Billy Gillies – Known for his anthemic tunes, Billy’s performance will resonate with both new and longtime trance enthusiasts.
Cosmic Gate – The iconic duo will mesmerize fans with their signature blend of progressive trance and deep grooves.
Estiva – A master of melodic progression, Estiva’s set will be a sonic adventure through lush, layered rhythms.
Farius – A rising star blending progressive trance with emotive hooks, creating a dynamic, uplifting atmosphere.
Ginchy – Known for energetic beats and crowd-thrilling mixes, Ginchy will keep the dance floor alive.
Hannah Laing – A standout female DJ bringing her infectious energy and unique style to the ASOT stage.
HI-LO – Renowned for dark, hypnotic techno beats infused with trance elements, HI-LO’s set will be unforgettable.
Inafekt – A dynamic presence with progressive sounds that push the boundaries of modern trance.
J Ribbon – Bringing fresh vibes with innovative tracks that blend classic trance with modern influences.
Jesabel – A rising talent known for her vibrant stage presence and eclectic mix of melodic tracks.
John O’Callaghan – A trance legend who delivers powerful, emotionally charged performances that captivate audiences.
MaRLo – Expect a high-energy set filled with tech trance and psy influences that will leave fans breathless.
Matty Ralph – Known for melodic storytelling through his sets, Matty Ralph will guide fans on an emotional musical journey.
Omiki – A psytrance sensation, Omiki’s beats are sure to elevate the energy to new heights.
RIVER – Bringing ethereal vocals and uplifting melodies, RIVER’s performance is set to be soul-stirring.
Ruben de Ronde – A key figure in trance, Ruben’s deep, progressive soundscapes are a festival highlight.
SUPERSTRINGS – Known for their innovative approach to trance, blending orchestral elements with modern beats.
8Kays – A master of deep, progressive sounds, 8Kays will deliver an atmospheric set full of rich textures and rhythms.
Tickets:
Phase One Tickets: SOLD OUT
Phase Two Tickets: Third Release ON SALE NOW → https://asot.london/
Join 10,000 Trance Fans!
Thank you to the 10,000 dedicated fans who’ve already secured their spot to witness ASOT’s triumphant return to the UK. Don’t miss your chance to be part of this unforgettable musical journey!
For more information, visit https://asot.london/. Follow us on social media for updates and exclusive announcements.Additional info: -
Trance Review: Markus Schulz, Tim Clark & Linney - You Belong incl official music video out on Coldharbour Recordings
Markus Schulz and Tim Clark join forces with EDMA Breakout Female Vocalist Linney for 'You Belong' - an uplifting and forward-thinking anthem about unity and inclusion. With its captivating lyrics and feel-good melody, the track delivers a powerful message: no matter what's happening in the world, we all belong together.
"You Belong" Stream & Download: HERE
Dimitris Kechagias Review:
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[item value="10"]Markus Schulz, Tim Clark & Linney - You Belong [/item][content title="Summary" label="Overall Score"]Markus Schulz and Tim Clark's "You Belong," featuring the ethereal vocals of EDMA Breakout Female Vocalist Linney, is a masterclass in modern trance production—a track that seamlessly blends technical prowess with emotional resonance. Operating at a 128 BPM tempo, this melodic, dreamy, proglifting trancer showcases a sophisticated layering of soundscapes designed to engage both the heart and the dance floor. The production opens with pulsating basslines that establish a dynamic, rhythmic foundation, complemented by meticulously crafted driving kicks. These elements are not merely functional but are engineered with precision to provide a sense of propulsion without overwhelming the melodic core. The bass sequences interlock with percussive elements, creating a groove that is both hypnotic and invigorating. As the track progresses, Schulz and Clark introduce lush, expansive synth pads that wash over the arrangement, adding depth and texture. The melodies are constructed with a keen sense of harmony and progression, utilizing arpeggiated motifs that evolve fluidly, maintaining listener interest through subtle modulations and dynamic shifts. The sound design here is particularly noteworthy, with each synth layer crafted to occupy its own distinct space within the mix, ensuring clarity and balance. Linney’s vocals are not just an addition; they are integral to the track’s emotional architecture. Her majestic vocal delivery, paired with lyrics that champion unity and inclusion, resonates deeply, adding an anthemic quality. The vocal processing is tastefully executed, employing reverb and slight delay effects that enhance the ethereal quality without detracting from the raw emotive power of her performance. The mixing and mastering of "You Belong" demonstrate high production values. The track maintains dynamic range, avoiding over-compression, which allows the uplifting melodies and vocals to breathe. The stereo imaging is expertly handled, with spatial effects that create an immersive listening experience, whether through headphones or on the dance floor. In conclusion, "You Belong" is not merely a feel-good anthem; it is a technically sophisticated piece that exemplifies the best of trance music’s potential to unite meticulous sound engineering with profound emotional impact. #PureGold Love IT[/content][item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]Additional info:Official Website: http://www.markusschulz.comOfficial Shop: https://www.markusschulzstore.com -
Music Conference: IMS Ibiza 2025 2nd Day Highlights
Annually, IMS Ibiza presents a snapshot not only of the current state of the industry but also of the broader world, which is undergoing unprecedented rapid change. Two early sessions today witnessed esteemed industry leaders grappling with this transformation and attempting to establish new rules of engagement. The most noteworthy highlights of the second day are presented here.
First, AFEM’s session on Generative AI advocated for a new way to deal with what’s certainly been the most hyped new development in the world at large recently.
While the speakers were at pains to make it clear they weren’t enemies of AI as a tool for creativity, perhaps Alistair Webber, son of the composer Andrew Lloyd, summed it up:
“Over the last six months, in the UK and other territories, governments want to give AI companies carte blanche to scrape copyrighted music to train their models – by amending hundreds of years of copyright law. It’s completely outrageous.”
The session outlined not just the complexities of unpicking who’s owed what, but looked to chart a course forward, whether via AFEM’s forthcoming AI Principles or Inder Phull of KOR Protocol’s work with artists to innovate new – and equitable – ways for fans to engage with their music.
A few moments later in The Brave Space presented by HE.SHE.THEY. in partnership with One Of Us, we heard about another attempt to chart a course to a better and fairer industry. The Trans Inclusion Charter session featured cultural dynamos like HE.SHE.THEY.’s Sophia Kearney, Sashkia Menendez (driving force, with AFEM, behind the charter), and Boudica founder Samantha Tonghi – and it felt both vital and urgent, particularly the heartbreaking plea from artist softchaos.
“There are trans artists who are DJs being detained for doing their jobs because they were brave enough to change their gender markers,” they said. “They aren’t safe doing jobs that most people wouldn’t think twice about. What can we – you – in the music business, do to protect them?”
The day began on the Summit Stage - Indoor, with the management, and agency teams behind the rise of phenomenon John Summit’s rise to selling out Madison Square Garden; speakers Ben Shprits and Daisy Hoffman (Wasserman Music) and Holt Harmon and Parker Cohen (Metatone Management), delivered a masterclass in artist momentum and steering an extraordinary talent.
Later, in a fascinating recap of his new book, Selling The Night, author and creative Andy Crysell talked us through the history of brands involved in electronic music from Fiorucci in disco (and Ibiza) in the 70s, to Absolut joining the dots between queer and club culture, the dawn of youth marketing in the 90s, to the Red Bull Music Academy, to ‘Colonel Sanders’ playing a DJ set at a festival in Miami – before a chat with Ralf Lülsdorf of Deutsche Telekom / Electronic Beats, who have been backing electronic music culture now for 25 years.
Blessed by quite stunning weather, more and more delegates have been taking advantage of the new outdoor big screen to watch events in the Summit Stage - Indoor, while another new addition, the Favela Bar, has brought a carnival vibe to poolside, framed perfectly by the view over Cala Llonga Bay.
For sheer, reckless charisma, few speakers come close to Fat Tony. His contribution to the Crash and Burn, The Price of Success session had all the laughter and scandalous stories that you’d expect – but was also shot through with compassionate advice for artists and indeed anyone in the industry struggling to keep the candle burning at both ends.
The Silent Epidemic: Tinnitus, Hearing Loss & Listening Responsibly was another The Art of Areté session that struck a chord across the different generations of the industry. Beginning with moderator Seb Wheeler describing his own sudden hearing loss and accompanying tinnitus, and Āliyah Husna outlining her own struggle with an ear condition, the speakers not only outlined the immense scale of the issue, but practical steps that we can take to protect our hearing, from EMT surgeon Dr. James Schuster-Bruce and Jenine Civil from Ultimate Ears Pro.
Just how valuable our ears are was later fully demonstrated at From Stereo to 360 – New Immersive Experiences in Electronic Music, presented by L-Acoustics. L-Acoustics also presented today’s Networking Drinks, with DJ Hugo Heathcote.
The final session of the day on the Summit Stage: Indoor paired the unstoppable SHERELLE with DJ Flight for an intergenerational exchange that was full of insight and mutual respect – and of course touched on another huge theme of the Summit, Four Decades of Jungle and Drum ’n’ Bass. The first woman to host a national drum ’n’ bass show, Flight started DJing in 1997, when SHERELLE was six years old – and at times it felt like there were three generations represented, as Flight referenced her close connection with her first inspiration: OGs Kemistry and Storm. A conversation that ranged from Flight’s work on Windrush stories to their shared experience of the world of radio, and respecting and referencing the lineage of the music that has come before when producing their own music.
So it was a day that looked both backwards and forwards, that looked to the past to inform the future.
As Andy Crysell said: “Everyone now looks to their community to learn. Once you would never hear education mentioned in the same sentence as club culture. ‘Knowledge is power’ seems more relevant now than ever.”
QUOTES OF THE DAY
“There’s this idea that trans folk are somehow ‘new’. Nobody at this conference would have a job without the contributions of trans people to this industry; without people like Wendy Carlos, or the communities in Detroit and Chicago where queer and trans people first accepted this innovative new sound.” softchaos
“I’ve not yet heard a track created completely from scratch with AI that’s not utter shite. I find that quite reassuring.” Alastair Webber, CEO & Co-Founder, The Other Songs
“When I was really young I had VH1 and MTV to watch. I was enamoured, but also scared, of The Prodigy’s Firestarter, and I genuinely thought Daft Punk were a cartoon.” SHERELLE
“Brands have been involved in club culture for a long time. Back in the 1940s, Pepsi was sponsoring jazz dance parties in Harlem. In the late 70s and the disco boom, though, things really stepped up a level. Andy Crysell
“Have you ever heard an artist win an award and thank the publisher? No, but that’s not why we do it. We do it to help songwriters create and make a living out of it.” David Ventura, President / Co-Managing Director, Sony Music Publishing
“Music is the best drug in the world. You don’t need anything else as a DJ. Just get up there and do your job. I’ve played clean and been gurning away like a loon with excitement.” Fat Tony
“With the current political climate, it’s more important than ever that allies [of the trans community] are vocal. Being silent, being neutral, is not an option anymore.” Samantha Togni, Founder, Boudica
“The audience for drum ‘n’ bass is very different to everyone else. The enthusiasm of the people who love the music; they buy tickets so quickly, they love the music so much. It’s huge – but still so DIY and independent.” Duncan King, Head of Festivals and Partnerships, Skiddle
“When I first arrived in Ibiza as a young promoter, the thing that struck me was the spirit of the island. I arrived in ’79 and saw in the clubs something I’d never seen before. You could be a millionaire or a poor person sharing the dancefloor and feeling the spirit of the island." Pino Saglioco, Live Nation Spain President
“Authenticity will always win in the long run. Deviation [Benji’s club night], I think we had 70 people at the first one and we were happy if we made 100 quid a party in the first year, but now it’s grown to be something that’s influential and totally looks after itself. Authenticity and staying true to yourself always wins the long game.” Benji B
“It’s so important to respect the origins and foundations. Without those people doing what they were doing, we wouldn’t be doing what we are doing. Support new music and innovations – but pay homage to what came before.” DJ Flight
Summary: The second day of IMS Ibiza highlighted key industry discussions, including AFEM’s session on Generative AI, where concerns were raised about copyright laws and AI’s impact on creativity, with Alastair Webber criticizing governments’ leniency towards AI companies. The Trans Inclusion Charter session, led by HE.SHE.THEY. and One Of Us, emphasized the urgent need for industry support for trans artists facing discrimination. Insights into artist growth were shared through the journey of John Summit’s rise, while Andy Crysell explored the deep-rooted relationship between brands and electronic music. Mental health and wellbeing were addressed in "Crash and Burn" with Fat Tony offering candid advice, and "The Silent Epidemic" focused on hearing health across generations. The day culminated in an intergenerational dialogue between SHERELLE and DJ Flight, celebrating four decades of jungle and drum 'n' bass, underscoring the importance of respecting musical heritage while embracing future innovations.
Additional info:
https://www.internationalmusicsummit.com/
https://x.com/imsibiza
https://www.facebook.com/InternationalMusicSummit
https://instagram.com/internationalmusicsummit/ -
Music Conference: IMS Ibiza 2025 Day One Highlights
Lets take a closer look on the day one of the 16th edition of IMS Ibiza, presented in partnership with AlphaTheta.The tone was set by Elijah, who didn’t just introduce this year’s theme of Intergenerational Exchange, but, as always, added his own provocations and inversions — and with accompanying yellow boxes for each.“The bond across generations is principles and ethics,” he said, as he looked for the shared values that link countries, ages and scenes. “What are you doing to expand the possibilities of electronic music?” he asked the audience. “That’s how we pass the torch to new generations.”
The IMS Business Report carried echoes of the same sentiment. MIDiA Research’s Mark Mulligan stressed that in 2025 it’s about looking beyond the numbers to the cultural impact, to remember that what happens in real-life spaces is what drives this business. There were plenty of encouraging numbers, from a market value for the electronic music industry that grew 6% year-on-year in 2024, reaching a $12.9 billion global valuation. But… “the numbers follow from the culture,” he reminded us.Afro house is a big strand of that global culture, and across IMS Ibiza this year. In a way, its meteoric success has become a prism through which to view electronic music culture as a whole — as a regional sound that has captured the mainstream, with all the questions about ownership and authenticity that brings up. In a great session moderated by Dare Balogun, Jackie Queens, Zakes Batwini and Shimza struck an optimistic note, clearly excited by the huge opportunities that its popularity has opened up, and a defiant yet somehow inclusive refusal to let outsiders pigeonhole or set rules on that growth. But Jackie also reminded us of the spirit that has fuelled the sound this far: “spirituality, joy, dancing, and music rooted in Black lived experience. That’s the kind of afro house that moves me.”Indeed, there was a truly global feel to the program today — with afro house, with a session on the opportunities in the Middle East — and MDLBeast Radio broadcasting live in the Lobby — with The Brave Space exploring the rise of South Asia as a force in electronic music, the market focus on Spain — both in live and in recorded music — and the simple fact that there are delegates here from over 50 countries.It’s a global culture, but as Mark Mulligan pointed out in the Business Report session, electronic music is no longer a monolith; every country, even cities, have their own demarcated scenes and cultures. Looking for the values that connect them, the ideas that can be exchanged, and the opportunities for evolution and growth in different ways and spaces, is the key.But it’s never just all about grand themes and global movements. It was quite literally standing room only at the How Managers Break Artists panel, where managers David De Valera (Mochakk) and Guga Trevisani (Vintage Culture) were in conversation with HE.SHE.THEY.’s Sophia Kearney. This was IMS Ibiza at its most practical, nuts-and-bolts career-focused, with all three giving actionable advice for artists and managers in their Q&A — from building up a bank of music to grinding out gigs as a selector, even to creating a ‘fake’ management team to handle those awkward negotiations.Across IMS Ibiza’s four spaces, every session today seemed to find its crowd, especially the calm and secluded The Art of Areté area, where Patrick Mason’s emotional, personal chat with Chloe Lula and choreographer Cecilia Bengolea was a moving testimony to his own biography and self-discovery through movement and dance. Particularly the revelation that a ‘secret’ relative had been part of the voguing scene back in 80s NYC, a revelation which came after Patrick himself decided to come out as queer after moving to Berlin. An intergenerational exchange that transcended time, space and even death. When Cecilia started dancing — demonstrating how interior emotion was so essential to external movement and sensation — it was a privilege to witness, and a unique IMS Ibiza moment.Back in the big room, in the relaxed yet fascinating conversation between long-time Fatboy Slim manager and founder of Anglo Management, Garry Blackburn, and Black Coffee’s manager, Alegria Agency’s Cristiana Votta, there was also a real feeling of intergenerational exchange in action — “the youth will learn from the older generation and vice versa”, as IMS co-founder Ben Turner had hoped in the introductions that started the day. “There’s no such thing as an average day in this business, that’s what I love the most about the job,” said Votta, with Blackburn in full agreement.The same applies to IMS Ibiza. If day two is as insightful, inspiring — and surprising — as day one, we’re in for quite a ride.
QUOTES OF THE DAY“Every initiative that makes it easier to live also makes it easier to create. A lot of government creative policy is focused on the arts, but if rent is too high, that will have a negative impact on creativity.” Elijah
“People talk about the gatekeepers having all gone. They haven’t, they’ve just been replaced by a new gatekeeper: the algorithm.” Mark Mulligan, MIDiA Research
“I owe my entire career as a DJ to radio. It goes beyond just the broadcasting. It provides this bridge between the real world and the online world. It provides connection.” Jaguar
“Afro house means I get to express myself in my most authentic way to the world: without changing myself.” Shimza
“I think many Spanish artists have been lazy. They haven’t taken the risk to go outside of their own country and push their careers. It’s all about attitude and networking. That’s why Paco Osuna has done so well — because he was focused.” Brian Cross, Live Nation Spain
“As artists we’re sponges. Wherever I’m lucky enough to travel, I make sure I go to local club nights, local record shops, try and meet local DJs in the studio, and that broadens my sound and my curation skills. I take inspiration from the noise and find the thing I want to share in the noise.” Chloé Caillet
“People want to buy an experience now rather than just a line-up. A brand like Elrow has shown you can create a brand and experience that’s not about a headliner.” Alex Montoya, Agent & Promoter, Analog Agency
“I think the next generation has to have its own ambition. They need to focus on the music and stick to their guns. They need to worry less about Instagram numbers and what everyone already likes, and push forward with the sounds that they believe in.” Martín Ferrer Vega, Amnesia
“I saw how successful Mochakk was on TikTok and Instagram. But when he then sent me 50 tracks, I knew that we had something real.” David De Valera, Founder & CEO / Director, Spike Management / Circulate
“You learn a lot being a manager about things you never thought you would… geography, immigration, divorce law!” Cristiana Votta, Manager, Alegria Agency
“I think a revelation for me was realising that I wasn't actually the boss in the relationship. All the best artists I’ve worked with know exactly what they want. They might be wrong… but you have to trust them while still having a voice and giving support.” Garry Blackburn, Founder/CEO, Anglo Management
“We’re the pioneers of this thing, we are the voice of this thing. Why would someone else tell us how this sound can be? We have the leverage to dictate where the sound is going. For us to limit where that sound would go is wrong. The canvas is clear: we can explore as much as we can without any fear or doubt.” Shimza
MS Ibiza 2025 - Day One SummaryThe 16th edition of IMS Ibiza, in partnership with AlphaTheta, kicked off with a dynamic blend of thought-provoking discussions, cultural insights, and practical advice for the electronic music industry.Setting the Tone:Elijah opened the event, introducing the theme of Intergenerational Exchange. His thought-provoking address emphasized the importance of shared values—principles and ethics—that transcend generations. He challenged attendees to consider how they expand the possibilities of electronic music, highlighting the role of cultural continuity in passing the torch to future artists.Business Insights:Mark Mulligan of MIDiA Research presented the IMS Business Report, underscoring the growing global market value of electronic music, which reached $12.9 billion in 2024—a 6% year-on-year growth. However, he stressed that beyond numbers, it's the cultural impact and real-life experiences that truly drive the industry forward.Global Cultural Highlights:Afro house featured prominently, with industry leaders like Jackie Queens, Zakes Batwini, and Shimza sharing their optimism about its global rise. They celebrated the genre’s roots in Black lived experience, emphasizing spirituality, joy, and authenticity. The event also spotlighted the Middle East’s growing electronic scene, South Asia’s emerging influence, and Spain’s evolving live and recorded music market, reflecting IMS Ibiza’s truly global reach with delegates from over 50 countries.Practical Industry Advice:A packed session on How Managers Break Artists provided actionable tips from David De Valera (Mochakk), Guga Trevisani (Vintage Culture), and Sophia Kearney (HE.SHE.THEY.). Their advice ranged from strategic music releases to innovative management approaches.Personal Stories and Emotional Moments:In The Art of Areté area, Patrick Mason’s heartfelt conversation with Chloe Lula and Cecilia Bengolea delved into his personal journey of self-discovery through dance, culminating in a moving revelation about his family’s hidden connection to the voguing scene of 1980s NYC.Intergenerational Wisdom:The dialogue between Garry Blackburn (Fatboy Slim’s manager) and Cristiana Votta (Black Coffee’s manager) exemplified the day’s theme, showcasing how mutual learning between generations fosters industry growth.Key Quotes:“The bond across generations is principles and ethics.” — Elijah“The numbers follow from the culture.” — Mark Mulligan“Afro house means I get to express myself in my most authentic way.” — Shimza“We’re the pioneers of this thing. We have the leverage to dictate where the sound is going.” — ShimzaLooking Ahead:Day one set a high bar, blending grand cultural themes with practical industry insights. If day two matches its depth and inspiration, IMS Ibiza 2025 promises to be an unforgettable journey. -
Music Conference: IMS Business Report 2025
IMS Ibiza unveiled during its first day the IMS Business Report 2025. Presented live at IMS Ibiza, the report returns for its eleventh edition, authored for the third year by MIDiA Research’s Mark Mulligan.The report offers the definitive snapshot of the global electronic music economy, examining both its cultural resonance and commercial realities. With many key financial, economic and cultural findings in this year’s analys is broken down in detail highlighting major emerging themes which can help to guide and inform the industry.MIDiA Research is a leading provider of research, analysis and data for the digital entertainment business, with a team of analysts and consultants focused on everything related to where tech and entertainment meet.“Global music industry revenue grew again in 2024, though at a slower rate than in 2023 due to maturing streaming revenues and the post-covid live resurgence lessening. Electronic music however, continued to increase its share of both revenues and culture. Driven by the rise of new genres like Afro House, a renaissance for genres like Drum & Bass, and the rise of a new generation of fans, creators and scenes remaking electronic music in their own image, electronic music finds itself at the start of a brave new era of culture resonance.” MIDiA Research’s Mark Mulligan.
The global electronic music industry expanded to $12.9 billion in 2024, marking a 6% rise from 2023. While slightly slower than the previous year’s 9% growth, the gains reflect a maturing and resilient sector. Festivals and clubs remain the largest revenue source, but strong growth in publishing and hardware/software underline the industry’s multifaceted strength.“The IMS Business Report continues to evolve each year, with more robust data and the benefit of over a decade of compilation — allowing us to truly compare and contrast the state of the electronic music industry. Our annual health check this year reflects continued growth and major developments: the Superstruct acquisition reshaping live, rising momentum in key genres like Afro House and Drum & Bass, ongoing catalogue acquisitions, and unprecedented engagement with the genre on cultural platforms such as TikTok.” IMS Co-Founder Ben Turner.
For the fifth consecutive year, independent labels increased market share, reaching 30% of global label revenues. While major labels remain dominant, regional and digitally native players in the global south are gaining ground, carving out space with localised scenes and culturally attuned content strategies.Genres including Drum & Bass, Jungle, and UK Garage are undergoing a creative revival, particularly among younger audiences. Beatport data shows Afro House leapt from 23rd to 4th most searched genre, while SoundCloud saw a 100% increase in UK Garage uploads.With 566 million new electronic music fans added across Spotify, YouTube, TikTok, Instagram, and Facebook in2024, the electronic music genre continues to outperform rivals like rock and indie. The format of fandom isshifting too — SoundCloud saw a 14% rise in plays across electronic genres, particularly in re-emerging micro-scenes such as UK Garage.Mexico, India, and Brazil drove subscriber and listener growth on Spotify, with Mexico’s listener base surging 60%year-on-year. Meanwhile, African genres including Afro House and Amapiano made significant strides, reflecting an electronic culture that is truly global, decentralised, and diverse.Clearly demonstrating that Ibiza remains a global heartbeat of electronic music and unrivalled cultural touchstone for the global dance music community Ibiza club ticketing revenue reached €150 million. (This figure reflects ticketing only and does not include VIP sales, so the total value created for the local economy was even higher). This represents a 6% increase for the Balearic island despite a dip in event volumes, as ticket prices rose and demand for high-value experiences held strong.The presence of electronic acts on global festival lineups hit 18%, up from 13% in 2021. Superstruct’s $1.4 billion acquisition highlighted the category’s commercial heat. Meanwhile, gender representation is shifting slowly but steadily: AlphaTheta’s registered female user base grew again in 2024, now at 16%.2024 was also a breakout year for music AI, with 60 million users engaging music creation apps and 10% of consumers reporting having used generative AI to create music or lyrics. As a result, the line between fan and creator is becoming ever more fluid as AI, audio tools continue to democratise music creation.Summary: The IMS Business Report 2025, authored by Mark Mulligan, highlights the global electronic music industry’s growth to $12.9 billion in 2024. The report underscores the industry’s resilience, driven by emerging genres, a resurgence in live events, and increased engagement on cultural platforms. Despite a slower growth rate compared to 2023, the industry’s expansion reflects its multifaceted strength and evolving landscape.Additional info: -
Interview with Spencer Newell about his track I Didn't Run with Adara on FSOE
Spencer Newell, a dynamic trance music producer hailing from the United States, is celebrated for his electrifying soundscapes and high-energy compositions that seamlessly blend pulsating beats with captivating vocals. His musical prowess is amplified by collaborations with esteemed vocalists like Sarah de Warren, Sue McLaren, and Lokka Vox, each contributing their unique flair to his tracks.Spencer Newell’s sonic journey has found a home on prestigious record labels, including AVA Recordings and “Find Your Harmony,” where he consistently delivers tracks that push the boundaries of the trance genre. His distinctive style, characterized by intricate melodies and atmospheric elements, has garnered global recognition and support from influential DJs across the world.Among those who have championed Spencer Newell’s work are renowned artists such as Andrew Rayel, Andy Moor, Aly & Fila, and Somna, who have incorporated his tracks into their sets, elevating his presence within the trance music community. As an emerging talent, Spencer Newell is poised to make significant waves in the world of trance, captivating audiences with his innovative approach and contributing to the evolution of the genre. Watch out for this rising star as he continues to shape the future of trance music with his exhilarating productions.Welcome to an electrifying interview with the incredibly talented electronic music producer, Spencer Newell! In this engaging conversation, we’ll dive deep into Spencer’s creative world, exploring his proudest career accomplishments, the driving motivations behind his journey into DJing and music production, and the influential producers and tracks that have shaped his unique sound.
We'll also uncover the story and inspiration behind his latest release "I Didn't Run" featuring Adara, delve into his production process, and discuss the technical challenges he’s faced along the way. Expect candid insights into his thoughts on the evolving electronic music industry, his dream collaborations, and even a sneak peek into the fresh tracks he’s currently cooking up in the studio.
Whether you're a die-hard trance fan or simply curious about the mind behind the music, this interview promises to be an inspiring and revealing exploration of passion, perseverance, and the power of sound. Get ready to be captivated!
Dimitris: Hi there! Could you share with us your top three accomplishments or objectives that you are most proud of achieving in your career as an electronic music producer?
Spencer Newell: Being signed to Future Sounds of Egypt, Having a top 5 record on beatport (Trance - Main Floor), being managed by Luminary Artists
Dimitris: Could you share the motivations that led you to pursue a career in DJing or producing electronic dance music?
Spencer Newell: I fell in love with EDM in 1998 when I first heard Underworlds Born Slippy. The sounds and textures of the track were incredibly fascinating. Having a musical background I began to imagine the idea of being a producer. It wasn't until 2020 when I made the plunge into pursuing a lifelong dream of being a DJ/Producer.
Dimitris: Who are the three most influential producers that inspired you to pursue a career in the electronic dance music industry?
Spencer Newell: Underworld, Ayla, Prodigy.
Dimitris: Could you share with me the top three tracks from your past that have really shaped your musical style? I’d love to know what makes these songs so influential for you!
Spencer Newell: Absolutely, Dimitris! Here are the top three tracks that have profoundly shaped my musical style. Born Slippy - Underworld, Akesson - Flavour Park, Jorn Van Deynhoven remix of RAMsterdam.
Dimitris: Could you tell me about your latest release I Did't Run with Adara on vocal duties released on Future Sound of Egypt? I'm curious about what inspired you during its creation and would love to hear more about the thought process behind this awesome vocal trance track.
Spencer Newell: I Didn't Run - The instrumental was written in 2023 during a dark time of my life. What you hear in the mix is raw emotion. Combined with Adara's powerful and emotional songwriting, we put together a feeling-based anthem that I hope shakes the dance floor for years to come.
Dimitris: Could you give me an idea of how long it usually takes to produce a track? Also, I’d love to hear a simplified overview of your production process.
Spencer Newell: It can take anywhere from fifteen hours to one year, depending on the creative process. Typically I'll start constructing lead synth midi to start the production process and build from there starting with the kick.
Dimitris: Could you share more about any specific technical challenges or obstacles you faced while producing that track? I'm really curious to hear about your experiences and how you overcame them!
Spencer Newell: The biggest technical challenge I consistently have is navigating Ableton and getting the most out of the software.
Dimitris: If you could choose any artist to create a remix for this track, who would it be and why do you think they'd do an amazing job?
Spencer Newell: The track as it is is how I imagined it to sound so I wouldn't change anything. Even though he's also an uplifting producer I would love to hear what Craig Connelly could do with the track.
Dimitris: I've noticed a trend where more people are producing music with analogue equipment and minimizing digital software use. What do you think about this shift?
Spencer Newell: The shift to analog equipment is great! A piano and a computer with Ableton is all I need. All of Fab Filters plugin's are my go-to for processing tools.
Dimitris: Let us know your musical preference – do you lean more towards vocal tracks or instrumental ones? If we're chatting about a track with vocals, I'd love to hear more about the singer you work with!
Spencer Newell: Vocals - Adara is a one of a kind songwriter who wears emotion on her sleeve.
Dimitris: Are there any electronic dance music vocalists or singers you dream of collaborating with?
Spencer Newell: Clara Yates, Christina Novelli, Aruna.
Dimitris: Pick your favorite dance track lyrics that have deeply touched you. Share how these words resonate emotionally with you and why they hold a special place in your heart.
Spencer Newell: My single with Lokka Vox, Bleeding. Her lyrics described exactly how I was feeling at the time of composition. Plus, I have a personal friendship with her because of the collaboration.
Dimitris: Do you think the artwork for your latest track is eye-catching and likely to grab the attention of listeners or record buyers? If yes, could you share an example of what you consider to be the most impressive artwork ever designed for a track?
Spencer Newell: Yes! Anything with FSOE logos on it :)
Dimitris: Could you share your top three favorite record labels in your preferred music genre? It would be great if you could also explain why these labels hold a special place in your heart and how they impact the electronic music industry. Thanks!
Spencer Newell: FSOE - It was the dream label.
Find Your Harmony - Andrew Rayel gave me my first shot at a big trance label.
AVA Recordings - they have been my biggest supporters so far in my career.
Dimitris: We'd love to hear about the future tracks you are currently cooking in your studio and the vibe you're going for in them?
Spencer Newell: In may of 2025 my single "Focus One" is being released on Sean Tyas's Degenerate label. I'm excited because it's my first release within the tech-trance world.
Dimitris: What's your all-time favorite album or compilation, and why does it hold a special place in your heart?
Spencer Newell: Born Slippy - Underworld: It was the first time I heard EDM...the track remains as my favorite of all time
Dimitris: How much time do you spend promoting yourself on social media? Do you find it an essential tool for both getting your name out there and managing bookings? Also, which platform do you think works best for your business?
Spencer Newell: It is certainly an essential tool for getting your name out and I spend up to five hours a week working on my social connections. Instagram works best for me.
Dimitris: Do you share any videos on TikTok and if yes, which one is your favorite? Also, how do you feel TikTok has impacted the promotion of music releases? Have any fans made TikTok videos with your music that you'd like to highlight?
Spencer Newell: I am new to the TikTok world so I don't know if I'm the best person to ask
Dimitris: Are you planning to focus more on DJing alongside your trance music production, or will it remain a secondary pursuit?
Spencer Newell: Nothing booked yet...but I'm waiting for the call to come!
Dimitris: Are you happy with the quality of tracks being released in your favorite music genres? I'd love to hear why or why not!
Spencer Newell: Yes! the talent and production level is getting better and better as time goes on.
Dimitris: Could you share your current and latest top three tracks with us, and maybe add a short commentary on each? Thanks a bunch! 🎧🎶
Spencer Newell: Absolutely, Dimitris! Here are my current top three tracks:
Sean Tyas - For The Low - it's just raw
Somna & Sabai - I Miss You - it's just very very good
Tensteps - Acid Imminent - Love the energy!
Dimitris: Are you happy with how royalties are currently handled for your music, especially when it comes to streaming income? Do you think you’re getting a fair deal from streaming platforms, DJs playing your tracks at events, radio broadcasts, and retailers selling your music in physical and digital formats?
Spencer Newell: Honestly, I have never really worried too much about how royalties are handled. I just enjoy making good music and having people enjoy it on the dance floor. I never expected to make money in music when I started this!
Dimitris: Could you share with us any technical tips or personal advice from your DJing and music production journey that have been crucial to your success and might inspire or help new talents?
Spencer Newell: Find a good mentor to help you get started and don't be afraid to ask questions along the process. No question is a dumb question
Dimitris: Many producers and DJs offer online masterclasses or courses on music production and DJing. Do you think participating in these is crucial for improving your skills?
Spencer Newell: Most definitely I think masterclasses are helpful. In fact, that's how I got started after I saw Armin's Dance Production Masterclass.
Dimitris: Are there any club classics you’re excited to remix or rework this year? Also, do you often create your own unique versions of those timeless tracks?
Spencer Newell: I haven't gone too much into the realm of reworks yet or my own versions of timeless tracks. Coming soon!
Dimitris: As an electronic music producer/DJ, could you share which remix of this club classic you think is the most effective and which one is the least? I'd love to hear your detailed thoughts on why you feel that way!
Spencer Newell: Jorn Van Deynhoeven - His remix of RAM's RAMsterdam. It's just so good! It hits all of the cylinders of the trance production process for me
Dimitris: How important is fan approval to you when creating your music, and do you find it challenging to understand how your tracks are received? Does this impact your stress levels or motivation?
Spencer Newell: Approval is not important to me as a producer. I just love to make music that hits me in the ways. However it is received is out of my control.
Dimitris: Can you tell us if your music fits into a specific genre like trance, house, or techno, or do you prefer to break the mold? Also, what do you think about artists mixing different styles to create something new and unique?
Spencer Newell: I'm a trance artist. I'm all for artists trying new styles. I hope that trend continues!
Dimitris: Is making music your main job, and do you have the freedom to step away from it when needed? If not, what other work do you do to help support yourself?
Spencer Newell: As I pursue a full-time career in music I am a personal trainer/coach as well as a writer for the Oregon State Beavers / Beaverblitz.
Dimitris: Do you think it's a good idea to limit constant photo or video-taking during DJ sets from fans, or are you okay with it?
Spencer Newell: I'm okay with it!
Dimitris: Are there any particular festivals or clubs where you dream of playing one day?
Spencer Newell: My ultimate goal in music is to play at Dreamstate USA. After that my goal would be to get to Luminosity. When I start playing live I believe I'd prefer playing in intimate clubs
Dimitris: Can you share your favorite hobby, pet, or movie/TV series?
Spencer Newell: Pet - Moo my cat. Movie - Top Gun. Hobby - Endurance sports. TV Series - Law and Order SVU.
Dimitris: Imagine you’re a club event organizer. Can you help us out by suggesting your top 5 DJs for our upcoming event?
Spencer Newell: Absolutely, Dimitris! Here are my top 5 DJ suggestions for your upcoming event: Tensteps, Somna, Andrew Rayel, Metta & Glyde, Sean Tyas
Dimitris: Could you share a message and your best wishes for the readers of Flux BPM Online?
Spencer Newell: Thank you so much for all of your support!! It means the world to me
Download/Stream: https://fsoe.lnk.to/ididntrun
Additional info: -
Trance Review: Para X - Atmospherica out now on ZYX Trance
Para X, hailing from Frankfurt, Germany, is a significant figure in the trance music scene. Known for his technical skill and emotional depth, he has been captivating audiences worldwide with his innovative approach to trance music. Having released numerous tracks on the famed ZYX Trance label, Para X has proven his prowess in creating music that resonates with both the heart and the dance floor.His recent track, “Atmospherica,” is a testament to his artistry, offering a mesmerizing blend of atmospheric and euphoric elements. The track is built around a tempo of 138 BPM, delivering a direct and uplifting trance experience. It features driving basslines, powerful techy kicks, and raw metallic percussion, all layered to create a vibrant and energetic soundscape. The addition of emotive synth lines intensifies the track's impact, providing moments of profound resonance.An extended breakdown serves as the track's centerpiece, lasting two minutes and showcasing a tapestry of warm, emotional textures. Female choral voices and euphoric synth plucks create an evocative scene reminiscent of a volcanic eruption, guiding listeners through a journey of bliss and liberation. The seamless integration of these elements culminates in a euphoric climax, allowing listeners to fully immerse in the trance experience.With its vibrant synths and delicate piano chords, “Atmospherica” ensures a fluid and engaging journey, perfect for both club settings and personal listening. This track not only captures the essence of true trance but also stands as a timeless piece, capable of uplifting spirits and transporting audiences to realms of ecstatic sensation. "Atmospherica" is now available via ZYX Trance.
Dimitris Kechagias Review:
[review top="1"]
[item value="10"]Para X - Atmospherica [/item][content title="Summary" label="Overall Score"]Para X’s "Atmospherica" is an exemplary trance production that showcases technical prowess and an intricate understanding of sound design. Anchored at a tempo of 138 BPM, it adheres to the high-energy framework characteristic of uplifting trance but distinguishes itself through meticulous production techniques. The track opens with a robust low-end foundation, featuring driving basslines crafted through layered saw-wave sub-basses and sidechain compression to create dynamic rhythmic movement. The powerful techy kicks are likely synthesized with precise transient shapers and EQ sculpting, ensuring they punch through the mix without overwhelming the melodic elements. Raw metallic percussion adds a unique industrial texture, achieved possibly through the careful synthesis of high-frequency noise layers combined with processed field recordings to enhance authenticity. These percussive elements are arranged with intricate panning and reverb automation, providing spatial depth and an immersive listening experience. Emotive synth lines dominate the midrange, crafted with lush analog emulation plugins or classic hardware synthesizers. The modulation of filter cutoffs and resonance parameters introduces dynamic tonal shifts, enhancing the track's emotional impact. The extended two-minute breakdown is a testament to Para X’s sound design mastery, featuring warm, atmospheric pads layered with granular textures for a rich, enveloping ambiance. The use of female choral voices is particularly noteworthy. They are likely processed with reverb tails and stereo widening effects, creating an ethereal, cathedral-like resonance. Euphoric synth plucks, with sharp attack envelopes and delay effects, emulate a volcanic eruption of sound, leading to a tension-filled buildup. The climax integrates all elements seamlessly, employing techniques such as risers with white noise sweeps and pitch automation to escalate energy levels. Vibrant synths are layered with delicate piano chords, the latter enhanced with subtle reverb and delay for a dreamy, lingering effect. "Atmospherica" is not just a track but an auditory journey, embodying the essence of trance through complex layering, precise mixing, and emotive composition. It's a testament to Para X’s technical acumen and artistic expression. #PureGold Love iT[/content][item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]Vocals & lyrics[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[/review]Additional info: -
Album News: Roger Shah pres. Sunlounger - Distant Memories out 9/5/2025 via Black Hole Recordings
Pre-order, release date May 9th 2025.Sunlounger Returns with New Double Album Distant MemoriesSunlounger, the iconic project of internationally renowned DJ and producer Roger Shah, unveils his latest masterpiece: Distant Memories – a compelling double album that seamlessly blends soothing atmospheres with infectious club energy.The album is split into two distinct yet connected experiences:CD 1 – Meditation Versions: A tranquil soundscape of ambient and Balearic-inspired compositions, perfect for moments of introspection, relaxation, or mindful escape. These meditative versions showcase Sunlounger's signature guitar work and cinematic textures, inviting listeners to slow down and breathe.CD 2 – Club Mixes: The flip side brings the energy to the dancefloor with groovy, melodic, and emotionally charged club edits. Crafted for DJs and electronic music lovers, these mixes reimagine the ambient originals with percussive beats and melodic drops, staying true to the essence of his balearic sound, organic and progressive house.With Distant Memories, Sunlounger continues to redefine the boundaries between chillout and dance music, offering fans a full-spectrum audio journey.About SunloungerSunlounger is the beloved alias of Roger Shah, a German electronic music producer known for his unique fusion of Balearic, trance, and chillout sounds. With a career spanning over two decades, Shah has released music on labels like Armada and Black Hole Recordings, collaborating with industry giants including Armin van Buuren, Aly & Fila, and JES.Sunlounger’s debut album Another Day on The Terrace became an instant classic, and his follow-ups — Sunny Tales, The Beach Side of Life, and Balearic Beauty — further cemented his place as a pioneer of melodic electronic music. Combining sun-drenched guitars, lush pads, and uplifting melodies, Sunlounger continues to be a defining force in the global chill and trance scenes.
Tracklist:
Disc 1. Meditation Versions
01. Distant Memories (with Ambedo)
02. True Kindness
03. Reflections
04. Recharge
05. Summer Rain
06. Calm
07. Remembrance
08. Inner Essence
09. Wandelpad (with Noah Shah)
10. Beachwalk (with Betafish)
11. Vacation
12. Auspicious Day
13. Peregrination
14. Into The Light
15. Recovery
16. Let Your Spirit Fly (with Ambedo)
Disc 2. Club Mixes
01. Distant Memories (with Ambedo)
02. True Kindness
03. Reflections
04. Recharge
05. Summer Rain
06. Calm
07. Remembrance
08. Inner Essence
09. Wandelpad (with Noah Shah)
10. Beachwalk (with Betafish)
11. Vacation
12. Auspicious Day
13. Peregrination
14. Into The Light
15. Recovery
16. Let Your Spirit Fly (with Ambedo)Additional info: -
Compilation News: Hypnotised: A Journey Through American Trance Music (1992 - 2002) out 16/5/2025 via Black Hole Recordings
FEATURING LEGENDARY PRODUCTIONS FROM LUMINARIES INCLUDING DELERIUM, MARKUS SCHULZ, BT, JES, RABBIT IN THE MOON, SANDRA COLLINS, DEEPSKY, NEIL KOLO & CHRIS FORTIER’S FADE, CONJURE ONE & MANY OTHERSAfter previous stop-offs in The Netherlands, Germany, The UK and Belgium, May 2025 finds ‘Hypnotised’ - the country-by-country-hopping history of trance music - reaching American shores. There it explores one of the genre’s lesser told yet equally fascinating tales. The fifth album in the series is again compiled by Arjan Rietveld, author of its encyclopaedic companion book, Hypnotised: A Journey Through Trance Music 1990 – 2005.To a significant extent, the American trance scene evolved inside its own bubble. Ocean-crossing breakout acts were rare, which gave the scene space to develop a distinct sound and identity – one that was driving yet linear, progressive, more tribal, and less focused on the melodic elements that dominated the European landscape. Over time, certain elements of the sound were adapted to suit the unique demands of the legendary U.S. desert raves in Arizona, Nevada, and California. In its formative years especially, American trance also leaned toward the experimental, which is where ‘Hypnotised: A Journey Through American Trance Music’ begins its story.On his way to becoming a housemaster, Dennis ‘Aurasphere’ Ferrer’s trippy, near beatless ‘The Greenhouse Effect’ literally came by way of NYC’s EXperimental label. Around that same time, the IST label’s Orb-answering ‘Dark Black Ominous Clouds’ and ‘Carousel’ (from Disintegrator and Koenig Cylinders respectively) sonically carried the comet trail signatures of New York’s early nineties rave sound. Through the works of Rabbit In The Moon, Florida also made a big early impression on the scene. Released through their Tampa-based Hallucination label, ‘O.B.E (Out-Of-Body Experience)’ was a blissfully tripped out, sun-bleached stare-at-the-sky number, which was hammered afterhours by Sasha, in turn bringing R.I.T.M. to international attention.1997’s ‘Heart Sequences’ by Aquarhythms marked the integration of other key stylistic elements into the American sound. Released on California’s Astralwerks, a label known for favouring ambient and electronica-tinged aspect, it introduced a transitory shift toward more textured productions. Perhaps the most internationally impactful force at the time, however, was the trio of Neil Kolo, Chris Fortier, and the Fade label. Their distinctively harmonic, progressive-trance approach found receptive audiences across Europe. By way of the ethnic chants of Kolo’s ‘Track One’ Steve Porter’s sleek ‘Adaptor’ and Fade’s racing, ‘The Love’, ‘Hypnotised: America’ showcases three of their finest pieces. From Florida’s Fade, the album moves on to Arizona’s Plastik Records, and the debut of Markus Schulz - with the halcyon, breakbeat-struck desert rave classic ‘You Won't See Me Cry’. It features alongside Vertigo Deluxe’s blissed out ‘In Dark Skies’ and Hyper-X’s significantly more stomping ‘Out There’.There is some irony that the North American scene rolled deeper than some other countries yet produced (in Delerium’s ‘Silence’) arguably the entire global scene’s single most recognizable moment. As it reaches its third disc, ‘Hypnotised: America’ celebrates Nettwerk America, who alongside ‘Silence’ (featured here in its original 11+ minute Fade form), also fielded BT & Kirsty Hawkshaw‘s ‘Dreaming’ and Conjure One’s haunting collaboration with Sinéad O'Connor, ‘Tears From The Moon’. Resettling back on the West Coast, LA’s Fragrant label gifts the compilation not only the acid bubble of Sandra Collins’s ‘Red’, but also Deepsky’s propellant ‘Stargazer’. The release wraps up with the Dream Music stable, which hit big out of the gate with the revered ‘Time’ (that so memorably opened Paul Oakenfold’s revered ‘Tranceport’ mix-comp). It’s included along with Sylvane’s harmonically journeying ‘Voices’ and Mike Olson’s Guardians of the Earth debut, ‘Starchildren’.Through one album, nine labels and twenty-seven tracks, ‘Hypnotised: America’ combines buried treasures with some of the genre’s most iconic works. A must for collectors, genre adherents and crate diggers alike.Tracklist:CD 01 - EXperimental / Hallucination / IST01. Aurasphere - The Greenhouse Effect02. Symphony Of Love - Quantum Leap03. Bio-Dreams - Dream Sequence 104. Rabbit In The Moon - O.B.E (Out-Of-Body Experience)05. Second Hand Satellites - Orbit06. Hazed - Percussion07. Lenny Dee featuring DJ Micalizzi - I Have No Love08. Disintegrator - Dark Black Ominous Clouds09. Koenig Cylinders - CarouselCD 02 - Astralwerks / Fade / Plastik01. Lida Husik & Beaumont Hannant - Textured02. Aquarhythms - Heart Sequences03. Spacetime Continuum - Freelon04. Kolo - Track One (Original Transmission Mix)05. Steve Porter - Adaptor06. Chris Fortier and Neil Kolo pres. Fade featuring Dauby - The Love (Sanctuary Dub)07. Hyper-X - Out There08. Markus Schulz - You Won't See Me Cry09. Vertigo Deluxe featuring Margeaux Fernandez - In Dark SkiesCD 03 - Nettwerk America / Fragrant / Dream Music01. Conjure One featuring Sinéad O'Connor - Tears From The Moon02. Delerium featuring Sarah McLachlan - Silence (Sanctuary Mix)03. BT featuring Kirsty Hawkshaw - Dreaming04. Pure Nova - Pure Elements05. Sandra Collins - Red06. Deepsky - Stargazer07. Sylvane - Voices08. Dream Traveler - Time09. Guardians of the Earth - StarchildrenAdditional info:
